Featured
The League tackles a movie that we all went to see together at the Coolidge Corner Theater: Alfred Hitchcock’s Notorious. It was a perfectly hideous party!
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Join Matt Dursin and newly minted standup comedian Clay N. Ferno for a special edition of The League celebrating the ghosts of Free Comic Book Day past and discussing the downfall and bankruptcy of Diamond!
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The League compare AND CONTRAST the The Manchurian Candidate from 2004, starring Denzel Washington, Meryl Streep, and a bunch of other actors who don’t have much to do in this movie.
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Three middle-aged white guys talk about Star Wars. NNNNNNOOOOOOO!!!!
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We carry on our holiday tradition by taking on the Christmas classic The Bishop’s Wife. Listen as we discuss how Cary Grant moves in on David Niven’s woman, but in a good way! ‘Tis the season!
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The League tackles the Kaiju classic Invasion of Astro-Monster, a.k.a. Godzilla vs. Monster Zero, a.k.a. Godzilla Does a Dance!
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The Gents tackle the modern classic Godzilla Minus One! And we’re not even being ironic!
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We finish “Dashing Through Dalton” with a deep dive in a little yellow submarine into License to Kill. It was a good run for Timothy, and now he can enjoy a nice honeymooooooon!
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Here we are at our 500th episode, and the Gents are tackling Sam Raimi’s Spider-Man 2. Like Tobey Maguire, we have had a back-breaking run, but we’re glad you’re still here for it! Aunt May was right: there’s a hero in all of you.
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Grab your flask and check out our latest Curbcast, unless you think you’re too good for it. If you do listen, maybe give it a “ha-ha,” or write us an inspirational quote, like, “Tough times remind us that our spirits are strong.” I can’t type a heart emoji here, but I would if I could.
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In the latest episode of Curb Your Enthusiasm, Larry tries to make better use of his time in the bathroom and has a theory about the impact of graffiti on Susie’s new billboard. Listen to our take on the latest episode as we near the end of the series.
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The League peers into Hitchcock’s genius once again with a deep dive into the 1954 thriller Rear Window. You don’t even need a zoom lens to take it all in.
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